ALBUM REVIEW: Daniel Avery – Tremor | NARC. | Reliably Informed | Music and Creative Arts News for Newcastle and the North East

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The new thirteen track album, Tremor, from producer and composer Daniel Avery is a whirlwind of sound, different worlds and blurred genres. The album is full of complex melodies and beautiful soundscapes that guarantee you’re transported somewhere else when you press play. It screams to be played at full volume for full immersion – filmic, dramatic, edgy and confident and it’s probably one of the most unique set of tracks you will come across this year.

Tremor is unapologetically authentic, exploring something new with every track and every collaboration, which there are in abundance. A standout is the perfectly chaotic Greasy Off The Racing Line, full of addictive attitude. The track features Alison Mosshart of The Kills and Avery has described the track as the ‘oil-soaked central cog of the album’. Another is our first taste of the album, Neon Pulse, that is symphonic, powerful and energetic.

We’re also taking through futuristic worlds in Until The Moon Starts Shaking and through a grand euphoric finale of joy in I Feel You featuring Art School Girlfriend. Avery’s fans will be blown away by this new album, a bold statement and a masterpiece of bringing things together that shouldn’t work but absolutely do.

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